Jungle Jim And The Lost Sphinx

Jungle Jim and the Lost Sphinx is pretty much a cinematic masterpiece, never mind a fun game to play. The adventurous and endearing main character does a lot of cute things throughout the game. He gets pretty excited when the wins show up for you and uncovers treasures in the process. The way the developers have presented the game is just like a movie. When you go into things like free spins, you won’t believe where you’re transported to.

This is a special kind of game that you’ll want to play for hours. You’ll be highly entertained but you’re also looking at a good RTP at 96%. The way the reels roll through are unique as well. Everything about Jungle Jim and the Lost Sphinx will pique your interest. Try it today and look to get a win of over x6,000 your bet.

Your lower value symbols mimic that of the first adventures with Jim. They are the gemstones of various colors. In Jungle Jim and the Lost Sphinx, you have mid value symbols that are all artifacts that are well-known in any Egyptian theme.

They include:

• Amphoras;
• Chests with treasures in them;
• An old book.

The big value symbol is the star of the show, Jim. When five of him land on a line, you win x10 what you bet. There is also the logo of Jungle Jim and the Lost Sphinx. This is your wild and will land on any line in the game except the first line. As with any game, it replaces low value symbols, giving you a greater opportunity to get a nice win.

1. Jungle Jim and the Lost Sphinx has 35 paylines and is played on 5 reels with 4 rows of symbols. The game has progressive multipliers, which are increased by one nudge after each winning spin. The maximum multiplier in the base game is a spectacular x 10.
2. Jungle Jim and the Lost Sphinx is a 5 reel game that is 4 symbols high. The slot uses traditional paylines, with between 35 and 50 in total playing from left to right and right to left. Special Symbols. Wild – The “Jungle Jim” is the Wild symbol, which will substitute for all other symbols other than Scatters and “Sphinx” Symbols.

Jungle Jim and the Lost Sphinx gameplay. Keen slot fans in New Zealand may remember Jungle Jim from his previous exploits around the Amazon in 2016’s Jungle Jim El Dorado. He makes a return in this new title but has now jetted off to Egypt. As such, this is a slot with an Egyptian/adventure theme and packs in plenty of exciting gameplay.

There is so much going on in Jungle Jim and the Lost Sphinx. While you may get caught up in the story line, there are also some great chances here. Things like multipliers that progress keep you in features for a long time. Jim is there with his mind being blown on the good fortune that has come his way (and yours). Jim is really involved in your game play. He jumps in front of the reels from time to time, which lets you know that something really great is on route for you. If you’ve won yourself some spins or the winnings cascades arise, he is there. He is just as excited as you are.

Read also: Jungle Jim El Dorado

You’ll notice right away that the reels are a little different. They drop down as opposed to spin like most mechanics. There are 35 pay lines available to you but this can actually grow as you play, increasing to 50. In Jungle Jim and The Lost Sphinx, you may feel very much a part of Jim’s adventure in the search for Egyptian treasures. It’s a upper medium volatility game, which is exciting for enthusiasts without putting you at too much risk of breaking the bank.

Jim is well known and loved as an adventure in another game, which was of course the prequal to the Lost Sphinx. The developers were even insightful enough to make him look a little older in Jungle Jim and the Lost Sphinx. He is still sort of boyish and showy however but that’s probably what you love about him. There are some new features to this version.

Things like the Win Booster, which puts how much you win in your own hands (by betting more money of course. It can get you some spins for free if you’re lucky, increasing your odds.

The multipliers can keep you on serious winning streaks while playing Jungle Jim and the Lost Sphinx. They are prompted after the first trail. It will carry over to any wins that occur consecutively, only going back to normal when the sequence of spins end.

This is the breakdown:

Beginning level – all spins sequences will start with 35 pay lines.

• 1st Cascade – Wins are multiplied by 2;
• 2nd Cascade – Wins are multiplied by 3;
• 3rd Cascade – Wins are multiplied by 4 and your reels change from a 5x4 to a 5x5, which gives you 50 pay lines;
• 4th Cascade – Wins are multiplied by 5;
• 5th Cascade and beyond – Wins are multiplied by 10 and stay there until the round is over.

In Jungle Jim and the Lost Sphinx, there is a forgiving feature also. The game does a good job of preventing you from quickly dropping to 1x wins once you’ve lost a cascade. You’re going to get another chance if no wins came your way. You’ll earn yourself one more spin in hopes of winning, which can keep you on the winning streak with wins that are multiplied.

If four to five scatters should land on the reels simultaneously in Jungle Jim and the Lost Sphinx, you’ll enter into the super exciting free spins. You’ll get 12 in total with a 5, 10 or x20 win based on your bet. You will only get 12 free spins but throughout, you can collect some sphynx. If they show up on the third reel, you’ll get another free spin. Who knows how many of them will land to get you another spin. It’s unlimited.

Lionel Alfred William Atwill (1 March 1885 – 22 April 1946) was an English stage and screen actor. He began his acting career at the Garrick Theatre. After coming to the U.S., he subsequently appeared in various Broadway plays and Hollywood films. Some of his more significant roles were in Captain Blood (1935), Son of Frankenstein (1939) and To Be or Not to Be (1942).

Life and career[edit]

Atwill was born on 1 March 1885 in Croydon, London, England. He studied architecture before his stage debut at the Garrick Theatre, London, in 1904.^[1]

He became a star in Broadway theatre by 1918 and made his screen debut in 1919.^[2] His Broadway credits include The Lodger (1916), The Silent Witness (1930), Fioretta (1928), The Outsider (1924), Napoleon (1927), The Thief (1926), Slaves All (1926), Beau Gallant (1925), Caesar and Cleopatra (1924), The Outsider (1923), The Comedian (1922), The Grand Duke (1921), Deburau (1920), Tiger! Tiger! (1918), Another Man's Shoes (1918), A Doll's House (1917), Hedda Gabler (1917), The Wild Duck (1917), The Indestructible Wife (1917), L'elevation (1917), and Eve's Daughter (1917).^[3]

He acted on the stage in Australia and then became involved in U.S. horror films in the 1930s, including leading roles in Doctor X (1932), The Vampire Bat, Murders in the Zoo and Mystery of the Wax Museum (all 1933), and perhaps most memorably as the one-armed Inspector Krogh in Son of Frankenstein (1939), ^[1] a role famously parodied by Kenneth Mars in Mel Brooks' 1974 satire Young Frankenstein. He appeared in four subsequent Universal Frankenstein films as well as many other of the studio's beloved chillers.

His other roles include a romantic lead opposite Marlene Dietrich in Josef von Sternberg's The Devil Is a Woman (1935), a crooked insurance investigator in The Wrong Road (1937) for RKO, Dr. James Mortimer in 20th Century Fox's film version of The Hound of the Baskervilles (1939), and Professor Moriarty in the Universal Studios film Sherlock Holmes and the Secret Weapon (1943).^[1] He also had a rare comedy role in Ernst Lubitsch's 1942 classic To Be or Not to Be and that same year menaced Abbott and Costello in Pardon My Sarong.

Personal life[edit]

Atwill married four times. His first wife was Phyllis Ralph; the couple married in 1913 and divorced in 1919. In 1941, their son John Arthur Atwill (born 1914) was killed in action at age 26.^[4] Atwill married the actress Elsie Mackay in 1920. He married Louise Cromwell Brooks in 1930 after her divorce from Douglas MacArthur; they divorced in 1943.^[5] Atwill married Paula Pruter in 1944, and their marriage continued until his death.^[1] Their son, Lionel Anthony Atwill, is a retired writer.

In 1942, Atwill was indicted for perjury by a jury investigating the 1941 proceeding of a grand jury relative to the alleged occurrence of a sex orgy at his home. He was given five years probation, but Hollywood producers and other executives blacklisted him for minor criminal activity. He made small film appearances afterward.^[6][7]

Atwill died on 22 April 1946 of lung cancer^[8] and pneumonia at his home in Pacific Palisades, Los Angeles.^[1] At the time of his death, he was filming the serial Lost City of the Jungle, playing the mastermind villain. Universal Pictures retained the footage already filmed, adapted the story to enhance the villainous role of another character, and used a double for Atwill in some scenes.^{[citation needed]}

Filmography[edit]

• Eve's Daughter (1918) - Courtenay Urquhart
• For Sale (1918) - Minor Role
• The Marriage Price (1919) - Kenneth Gordon
• The Eternal Mother (1920) - Howard Hollister
• The Highest Bidder (1921) - Lester
• The Silent Witness (1932) - Sir Austin Howard
• Doctor X (1932) - Dr. Jerry Xavier
• The Vampire Bat (1933) - Dr. Otto von Niemann
• The Secret of Madame Blanche (1933) - Aubrey St. John
• Mystery of the Wax Museum (1933) - Ivan Igor
• Murders in the Zoo (1933) - Eric Gorman
• The Sphinx (1933) - Jerome Breen
• The Song of Songs (1933) - Baron von Merzbach
• Secret of the Blue Room (1933) - Robert von Helldorf
• The Solitaire Man (1933) - Inspector Wallace
• Nana (1934) - Colonel André Muffat
• Beggars in Ermine (1934) - John 'Flint' Dawson aka John Daniels
• Stamboul Quest (1934) - Herr Von Sturm
• One More River (1934) - Brough
• The Age of Innocence (1934) - Julius Beaufort
• The Firebird (1934) - John Pointer
• The Man Who Reclaimed His Head (1934) - Henry Dumont
• The Devil Is a Woman (1935) - Capt. Don Pasqual 'Pasqualito' Costelar
• Mark of the Vampire (1935) - Inspector Neumann
• The Murder Man (1935) - Captain Cole
• Rendezvous (1935) - Major William Brennan
• Captain Blood (1935) - Colonel Bishop
• Lady of Secrets (1936) - Mr. Whittaker
• Till We Meet Again (1936) - Ludwig
• Absolute Quiet (1936) - G.A. Axton
• The High Command (1937) - Maj. Gen. Sir John Sangye, VC
• The Road Back (1937) - Prosecutor
• The Last Train from Madrid (1937) - Col. Vigo
• Lancer Spy (1937) - Col. Fenwick
• The Wrong Road (1937) - Mike Roberts
• The Great Garrick (1937) - Beaumarchais
• Three Comrades (1938) - Breuer
• The Great Waltz (1938) - Count Hohenfried
• Son of Frankenstein (1939) - Inspector Krogh
• The Three Musketeers (1939) - De Rochefort
• The Hound of the Baskervilles (1939) - James Mortimer M.D.
• The Gorilla (1939) - Walter Stevens
• The Sun Never Sets (1939) - Zurof
• Mr. Moto Takes a Vacation (1939) - Prof. Roger Chauncey Hildebrand
• The Secret of Dr. Kildare (1939) - Paul Messenger
• Balalaika (1939) - Prof. Marakov
• The Mad Empress (1939) - General Bazaine
• Charlie Chan in Panama (1940) - Cliveden Compton
• Johnny Apollo (1940) - Jim McLaughlin
• Charlie Chan's Murder Cruise (1940) - Dr. Suderman
• Girl in 313 (1940) - Russell aka Henry Woodruff
• The Great Profile (1940) - Dr. Bruce
• Boom Town (1940) - Harry Compton
• Man Made Monster (1941, re-released as The Atomic Monster) - Dr. Paul Rigas
• To Be or Not to Be (1942) - Rawitch
• The Mad Doctor of Market Street (1942) - Graham / Dr. Ralph Benson
• The Ghost of Frankenstein (1942) - Doctor Theodore Bohmer
• The Strange Case of Doctor Rx (1942) - Dr. Fish
• Junior G-Men of the Air (1942, Serial) - The Baron
• Pardon My Sarong (1942) - Varnoff
• Cairo (1942) - Teutonic Gentleman
• Night Monster (1942) - Dr. King
• Sherlock Holmes and the Secret Weapon (1943) - Moriarty
• Frankenstein Meets the Wolf Man (1943) - Mayor
• Captain America (1944, Serial) - Cyrus Maldor
• Lady in the Death House (1944) - Charles Finch
• Raiders of Ghost City (1944, Serial) - Erich von Rugen, alias Alex Morel
• Secrets of Scotland Yard (1944) - Waterlow
• House of Frankenstein (1944) - Inspector Arnz
• Fog Island (1945) - Alec Ritchfield
• Crime, Inc. (1945) - Pat Coyle
• House of Dracula (1945) - Police Inspector Holtz
• Lost City of the Jungle (1946, Serial) - Sir Eric Hazarias
• Genius at Work (1946) - Latimer Marsh / The Cobra (final film role)

References[edit]

1. ^ ^abcde'Lionel Atwill, 61, Noted Actor, Dies. Veteran of Stage and Screen Made London Debut in 1904'. The New York Times. 23 April 1946.
2. ^'The Rise of Lionel Atwill'. The New York Times. 14 April 1918.
3. ^'Lionel Atwill'. Playbill Vault. Archived from the original on 31 July 2017. Retrieved 31 July 2017.
4. ^'Actor Lionel Atwill's Son Killed in British Air Action'. Chicago Tribune. 29 April 1941.Commonwealth War Graves Commission - CWGC record.
5. ^'Lionel Atwill Divorced. Former Louise Cromwell Wins Decree in Washington'. The New York Times. 19 June 1943.
6. ^'Stage And Screen Actor Indicted'. St. Petersburg Times. Associated Press. 1 July 1942.
7. ^'Atwill Pleads Guilty. Actor Admits Perjury in Showing of Lewd Pictures'. The New York Times. United Press. 25 September 1942.
8. ^'Lionel Atwill (1885-1946)'. The Penge Heritage Trail.

Further reading[edit]

Jungle Jim And The Lost Sphinx Rtp

• Mank, Gregory William (1998). Hollywood's Maddest Doctors. A Biography of Lionel Atwill, Colin Clive and George Zucco. Baltimore: Midnight Marquee Press. ISBN978-1887664226.
• Smith, Ronald L. (2010). Horror stars on radio, The broadcast histories of 29 chilling Hollywood voices. Jefferson NC: McFarland. ISBN978-0786445257.
• Pitts, Michael R. (9 January 2002). Horror Film Stars (3rd ed.). Jefferson NC: McFarland. ISBN978-0786410521.
• Stuart, Ray; Banasiewicz, Czeslaw Z. (1965). Immortals of the Screen. New York: Bonanza Books. ASINB000OGH3S2.
• Twomey, Alfred E.; McClure, Arthur F. (1969). The Versatiles, A Study of Supporting Character Actors and Actresses in the American Motion Picture, 1930-1955. South Brunswick NJ: A.S. Barnes & Company. ISBN978-0498067921.

External links[edit]

• Lionel Atwill at IMDb
• Lionel Atwill at the Internet Broadway Database
• Lionel Atwill at Find a Grave

Jungle Jim And The Lost Sphinx Demo